Clark O’Bryan has lived and studied across the world: suburban Chicago, London, Paris, coastal Ireland, Norway, Estonia, the hills and hollows of rural Vermont. Graduate of Middlebury College (Middlebury, Vermont) in 2023 with a dual degree in architecture and biology, he was awarded a post-bacc Thomas J. Watson Fellowship︎︎︎
to research the traditional building materials and methods in climates analoguous to his rural Vermont home, those over millennia proven capable of withstanding the environmental conditions expected of these northern forested regions in the future. Trained as a dry stone waller through the The Dry Stone Walling Association of Great Britain︎︎︎
(DSWA I), his travels eventually brought him to rural Okayama Prefecture, Japan, where as student of a natural plasterer, he encountered the work of traditional carpentry company Somakosha︎︎︎
and was immediately, deeply impressed. Now apprentice at this company, his intial impression only gains more clarity: to honestly reflect the skill and knowledge demanded of the Japanese carpenter: this is his present and most sincere directive.
In the coming century, the region is projected to change at an accelerated rate. Shifts in mean temperature, humidity, severity and frequency of rainfall events, duration of freeze-free periods per year, will displace current distributions of plant species, pressured by increased pestilence, and open room for emigrating, primarily southern-originating, species. The region will thus become a home for climate migrants of many sorts. As new human populations flock seeking refuge, environmental conservation of natural resources and rural and urban development will need to be maintained simultaneously. From where, then, will this development be sourced?
By traveling to regions of the world with climates expected of the northeastern United States in the coming century, and working alongside traditional building craftspeople deeply embedded in the material origins and processes of their work, I sought to recover the materials and methods relevant to the changing ecological conditions of my home. It is my hope that, by listening to these traditional sources, practicing and refining a crafted touch on the land, I will be able to offer an approach to the question rooted in place, in my time, and most important, by hand. This is how I understand the essential directive of my future work as a craftsman.
Fellowship︎︎︎ (2023-2024)
The Thomas J. Watson Fellowship is a one-year grant for independent, purposeful, humanitarian research outside of the United States, awarded to ≈ 50 graduating seniors from select U.S. colleges and universities each year.Project︎︎︎ (2023-2024)
The northeastern United States is a borderland of multiple intersecting geologic, climatic and ecological regions. As a result, a diverse body of natural materials, biotic and abiotic, constitute the vibrant traditional, historical and contemporary resource economy and building culture.In the coming century, the region is projected to change at an accelerated rate. Shifts in mean temperature, humidity, severity and frequency of rainfall events, duration of freeze-free periods per year, will displace current distributions of plant species, pressured by increased pestilence, and open room for emigrating, primarily southern-originating, species. The region will thus become a home for climate migrants of many sorts. As new human populations flock seeking refuge, environmental conservation of natural resources and rural and urban development will need to be maintained simultaneously. From where, then, will this development be sourced?
By traveling to regions of the world with climates expected of the northeastern United States in the coming century, and working alongside traditional building craftspeople deeply embedded in the material origins and processes of their work, I sought to recover the materials and methods relevant to the changing ecological conditions of my home. It is my hope that, by listening to these traditional sources, practicing and refining a crafted touch on the land, I will be able to offer an approach to the question rooted in place, in my time, and most important, by hand. This is how I understand the essential directive of my future work as a craftsman.